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・ The American Journal of Managed Care
・ The American Journal of Medicine
・ The American Journal of Pathology
・ The American Journal of Pharmaceutical Education
・ The American Journal of Psychoanalysis
・ The American Journal of Semiotics
・ The American Journal of Surgical Pathology
・ The American Journal of the Medical Sciences
・ The American Language
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・ The American Magazine
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The American Mercury
・ The American Metaphysical Circus
・ The American Monomyth
・ The American Museum (magazine)
・ The American Museum of the Miniature Arts
・ The American Naturalist
・ The American News
・ The American Outdoorsman
・ The American Outlaws
・ The American Pageant
・ The American People (book)
・ The American Philatelist
・ The American Place Theatre
・ The American Plague
・ The American Plan


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The American Mercury : ウィキペディア英語版
The American Mercury

''The American Mercury'' was an American magazine published from 1924〔
〕 to 1981. It was founded as the brainchild of H. L. Mencken and drama critic George Jean Nathan. The magazine featured writing by some of the most important writers in the United States through the 1920s and 1930s. After a change in ownership in the 1940s, the magazine attracted conservative writers. A second change in ownership a decade later turned the magazine into a virulently Antisemitic publication. The magazine went out of print in 1981, having spent the last 25 years of its existence in decline and controversy.
==History==
Mencken and Nathan had previously edited ''The Smart Set'' literary magazine, when not producing their own books and, in Mencken's case, regular journalism for ''The Baltimore Sun''. With their mutual book publisher Alfred A. Knopf, Sr., serving as the publisher, Mencken and Nathan created ''The American Mercury'' as "a serious review, the gaudiest and damnedest ever seen in the Republic", as Mencken explained the name (derived from a 19th-century publication) to his old friend and contributor, Theodore Dreiser:
What we need is something that looks highly respectable outwardly. ''The American Mercury'' is almost perfect for that purpose. What will go on inside the tent is another story. You will recall that the late P. T. Barnum got away with burlesque shows by calling them moral lectures.〔

From 1924 through 1933, Mencken provided what he promised: elegantly irreverent observations of America, aimed at what he called "Americans realistically", those of sophisticated skepticism of enough that was popular and much that threatened to be. (Nathan was forced to resign as his co-editor a year after the magazine started.) Simeon Strunsky in ''The New York Times'' observed that, "The dead hand of the yokelry on the instinct for beauty cannot be so heavy if the handsome green and black cover of ''The American Mercury'' exists." The quote was used on the subscription form for the magazine during its heyday.
The January 1924 issue sold more than 15,000 copies and by the end of the first year, the circulation was over 42,000. In early 1928 the circulation reached a height of over 84,000, but declined steadily after the stock market crash of 1929. The magazine published writing by Conrad Aiken, Sherwood Anderson, W. J. Cash, Thomas Craven, Clarence Darrow, W. E. B. Du Bois, John Fante, William Faulkner, F. Scott Fitzgerald, Albert Halper, Langston Hughes, James Weldon Johnson, Sinclair Lewis, Edgar Lee Masters, Albert Jay Nock, Eugene O'Neill, Carl Sandburg, and William Saroyan. Nathan provided theater criticism, and Mencken wrote the "Editorial Notes" and "The Library", the last being book reviews and social critique, placed at the back of each volume. The magazine published other writers, from newspapermen and academics to convicts and taxi drivers, but its primary emphasis soon became non-fiction and usually satirical essays. Its "Americana" section—containing items clipped from newspapers and other magazines nationwide—became a much-imitated feature. Mencken spiced the package with aphorisms printed in the magazine's margins whenever space allowed.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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